{"id":209,"date":"2018-07-23T20:33:04","date_gmt":"2018-07-23T18:33:04","guid":{"rendered":"http:\/\/choeurenbalade.eu\/?page_id=209"},"modified":"2025-09-13T14:46:50","modified_gmt":"2025-09-13T12:46:50","slug":"repertoire-de-lannee","status":"publish","type":"page","link":"https:\/\/choeurenbalade.eu\/index.php\/presentation\/repertoire-de-lannee\/","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"\t\t\t\r\n\t\t\t
\r\n\r\n\t\t\t\t\r\n\t\t\t\t
\r\n\r\n\t\t\t\t\t\r\n\t\t\t\t\t
    \r\n\t\t\t\t\t\t
  1. \r\n \r\n \r\n \r\n \r\n <\/i>Vous \u00eates ici <\/a>\r\n <\/span>\r\n \r\n <\/li>
  2. \u00bb<\/span><\/li>
  3. R\u00e9pertoire<\/span><\/li>\t\t\t\t\t<\/ol>\r\n\t\t\t\t\t
    <\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\n

    Ecouter quelques chants<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>R\u00e9pertoire r\u00e9cent<\/span><\/a><\/p>\n

    Liste non exhaustive des chants que nous avons travaill\u00e9s<\/span>
    \n<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Ecouter \/ voir<\/span><\/td>\nTitre<\/span><\/td>\nParoles \/ Musique\/Genre\/Interpr\u00eate
    \n<\/span><\/td>\n<\/tr>\n
    <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\n1492 Conquest of paradise<\/span><\/td>\nVangelis \/ du film \u00abChristophe Colomb\u00bb<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nA la Saint-M\u00e9dard<\/span><\/td>\nRudi R\u00e9vil \/ MVaucaire \/ Les fr\u00e8res Jacques
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nA nos h\u00e9ros du quotidien
    \n<\/span><\/td>\n    		Soprano
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nA nos souvenirs
    \n<\/span><\/td>\n    		S Gourseyrol\/ F Dumas\/ Trois caf\u00e9s gourmands
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAbschied vom Walde<\/span><\/td>\nJ von Eichendorff \/ F Mendelssohn<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAdeste fideles<\/span><\/td>\nJohn Francis Wade \/ No\u00ebl
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAdieu, foulards<\/span><\/td>\nTraditionnel martiniquais<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAdoremus<\/span><\/td>\nBerlioz \/ DS Bortnianski<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAime-moi, berg\u00e8re<\/span><\/td>\nJacques Lef\u00e8vre<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAimer \u00e0 perdre la raison<\/span><\/td>\nAragon \/ JeanFerrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAll Eucharistia<\/span><\/td>\nF. Schubert ?<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAllegretto KV 346<\/span><\/td>\nWA Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAlta trinita beata<\/span><\/td>\nAnonyme du XV\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0\"\"<\/a><\/span><\/td>\nAmazing grace<\/span><\/td>\nJohn Newton\/William Walker \/ Traditionnel am\u00e9ricain
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAmen<\/span><\/td>\nGospel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAmerica<\/span><\/td>\nL. Bernstein \/ Extrait de \u00ab\u00a0West side story\u00a0\u00bb
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAnachroniques, les saltimbanques<\/span><\/td>\nGuy B\u00e9art<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAttention, Mesdames et Messieurs<\/span><\/td>\nPierre Delano\u00eb \/ Michel Fugain \/ Big Bazar
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAu fil des chansons<\/span><\/td>\nPot pourri<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAujourd\u2019hui, je chanterai<\/span><\/td>\nM.T. Robin<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAve verum<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nAve verum<\/span><\/td>\nCamille Saint-Sa\u00ebns<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBalaio<\/span><\/td>\nHerv\u00e9 Villa-Lobos \/ populaire br\u00e9silien
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBallade en Novembre<\/span><\/td>\nAnne Vanderlove<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBarcarolle<\/span><\/td>\nOffenbach \/ Extrait des Comtes de Hoffmann<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBeau musicien<\/span><\/td>\nE Daniel \/ P Seghers \/ Alain Souchon & Laurent Voulzy<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBella ciao<\/span><\/td>\nTraditionnel italien<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBelle-Ile-en-Mer, Marie Galante<\/span><\/td>\nAlain Souchon \/ Laurent Voulzy<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBerceuse cosaque<\/span><\/td>\nTraditionnel russe<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBerceuse polonaise<\/span><\/td>\nTraditionnel polonais<\/span><\/td>\n<\/tr>\n
    \u00a0\"\"<\/a><\/span><\/td>\nBerceuse russe<\/span><\/td>\nDidier Rimaud \/ Traditionnel russe<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBesame Mucho<\/span><\/td>\nConsuelo Velasquez<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nBrin de paille<\/span><\/td>\nJG Marinier<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nC’est beau, la vie<\/span><\/td>\nJean Ferrat \/ Isabelle Aubret<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nC’est si bon<\/span><\/td>\nAndr\u00e9 Hornez \/ Henri Betty \/ Yves Montand<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\n\u00c7a va, \u00e7a va<\/span><\/td>\nN Khaled M Romiti E Pradelles S Lisbonne \/ Claudio Cap\u00e9o<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCanon h\u00e9bra\u00efque<\/span><\/td>\nTraditionnel h\u00e9breux<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCantate Domino<\/span><\/td>\nBuxtehude<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCantate des saisons<\/span><\/td>\nJ Martin du cap \/ J Planel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCanticorum jubilo<\/span><\/td>\nHaendel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCantique de Jean Racine<\/span><\/td>\nGabriel Faur\u00e9<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCe n’est rien<\/span><\/td>\nEtienne Roda-Gil \/ Julien Clerc<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChanson de la libert\u00e9<\/span><\/td>\nL Gaulis \/ D Porte<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChanson pour l\u2019auvergnat<\/span><\/td>\nGeorges Brassens<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChanson sans calcium<\/span><\/td>\nJC Massoulier \/ M Blanchot \/ Les fr\u00e8res Jacques<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChante comme si tu devais mourir demain<\/span><\/td>\nP Delano\u00eb \/ M Fugain \/ Big bazar<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChante la musique<\/span><\/td>\nAnne Vanderlove<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChanter<\/span><\/td>\nBourtayre & Revaux<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCh\u00e8r\u2019, mo l\u2019aimer toi<\/span><\/td>\nTraditionnel de Louisiane<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChim chim Cher-ee<\/span><\/td>\nSherman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nChoral Cantate 147<\/span><\/td>\nJS Bach<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nCopains de 20 ans<\/span><\/td>\nD’apr\u00e8s \u00ab\u00a0Les copains d’abord\u00a0\u00bb<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDansons la rose (Roses de Picardie)<\/span><\/td>\nWood&Marnay\/Weartherly<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDe Bretagne ou d\u2019ailleurs<\/span><\/td>\nPhilippe Lavil<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDie launige Forelle<\/span><\/td>\nFranz Sch\u00f6ggl \/ Variations sur le Lied de Schubert
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDon Leon<\/span><\/td>\nJo Privat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDona nobis pacem<\/span><\/td>\ncanon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDonnez-moi
    \n<\/span><\/td>\n    		Vianney \/ Les frangines
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDostoino iest<\/span><\/td>\nBortniansky<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nDouce France<\/span><\/td>\nCharles Trenet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEl condor pasa<\/span><\/td>\nJM Munoz \/ Traditionnel du P\u00e9rou
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0\"\"<\/a><\/span><\/td>\nEmmenez-moi<\/span><\/td>\nCharles Aznavour<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEn belen<\/span><\/td>\nE. Carvera<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEn gardant ma bergerie<\/span><\/td>\nNo\u00ebl XVI\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEnsemble<\/span><\/td>\nJ.J. Goldman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEres tu<\/span><\/td>\nJuan Carlos Calderon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEt maintenant<\/span><\/td>\nPierre Delano\u00eb\/Gilbert B\u00e9caud<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEtre<\/span><\/td>\nCharles Aznavour \/ G. Garvarentz<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nEverybody sing freedom<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nExodus<\/span><\/td>\nE. Gold \/ du film \u00abExodus\u00bb
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFable<\/span><\/td>\nJacques Pr\u00e9vert \/ J. Kosma<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFanfare du Printemps<\/span><\/td>\nJoseph Bovet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFeed the birds<\/span><\/td>\nSherman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFile la laine<\/span><\/td>\nRobert Mercy \/ Isabelle Aubret<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFor me Formidable<\/span><\/td>\nCharles Aznavour<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nFuniculi funicula<\/span><\/td>\nTraditionnel napolitain<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nGloria<\/span><\/td>\nA Vivaldi<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nGloria sei dir gesungen (cantate 140)<\/span><\/td>\nJS Bach<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nGo down Moses<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nGo, tell it on the mountain<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nGuantanamera<\/span><\/td>\n\/ Joe Dassin<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHava Nagila<\/span><\/td>\nTraditionnel h\u00e9breux<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHallelujah<\/span><\/td>\nLeonard Cohen<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHegoak
    \n<\/span><\/td>\n    		Traditionnel basque
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHeilig ist der Herr !<\/span><\/td>\nFranz Schubert \/ Extrait de la Messe allemande<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHeureux<\/span><\/td>\nJacques Brel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHiroshima<\/span><\/td>\nGrorges Moustaki<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHijo de la luna<\/span><\/td>\nJ.M. Cano<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHymne \u00e0 l’amour<\/span><\/td>\nEdith Piaf\/Marguerite Monnot<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHymne \u00e0 la nuit<\/span><\/td>\nJ.P. Rameau<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nHymne des fraternis\u00e9s<\/span><\/td>\nP. Rombi \/ du film \u00ab\u00a0Joyeux No\u00ebl\u00a0\u00bb<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIch will den Herrn loben<\/span><\/td>\nGP Telemann<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIl est cinq heures<\/span><\/td>\nJ Lanzmann & A Segalen \/ Jacques Dutronc<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIl est n\u00e9 le divin enfant<\/span><\/td>\n<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIl est un jardin<\/span><\/td>\nM. Schwingrouber<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIl peut pleuvoir<\/span><\/td>\nJacques Brel \/ G Powel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIl y aura toujours No\u00ebl<\/span><\/td>\nJ. Bron \/ J. Rochat \/ No\u00ebl<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nImagine<\/span><\/td>\nJohn Lennon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIn memoriam<\/span><\/td>\nB. Coulais \/ du film \u00ab\u00a0Les choristes\u00a0\u00bb<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nIpharadisi<\/span><\/td>\nTraditionnel sud-africain<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJ’ai demand\u00e9 \u00e0 la lune
    \n<\/span><\/td>\n    		Indochine
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJ\u2019entends une chanson<\/span><\/td>\nJ Steuerlein<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJ’envoie valser<\/span><\/td>\nZazie<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJama\u00efca farewell<\/span><\/td>\ncalypso<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJe n\u2019aurai pas le temps<\/span><\/td>\nP Delance \/ M Fugain \/ Big bazar<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJe veux<\/span><\/td>\nZaz<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJesu, meine Feude (Motette n\u00b03)<\/span><\/td>\nJS Bach<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nJesu, nimm dich deiner Glieder<\/span><\/td>\nJS Bach<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nKumbaya<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL\u2019alligator<\/span><\/td>\nR Desnos \/ J Gauffriau<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL’\u00e2me des po\u00e8tes<\/span><\/td>\nCharles Trenet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL’amiti\u00e9
    \n<\/span><\/td>\n    		F. Hardy
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL’Irlandaise<\/span><\/td>\nCl. Nougaro \/ Didier Lockwood<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL\u2019oiseau<\/span><\/td>\n<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nL’un vers l’autre<\/span><\/td>\nJacky Locks<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa ballade des gens heureux<\/span><\/td>\nPierre Delano\u00eb & G\u00e9rard Lenorman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa ballade irlandaise
    \n<\/span><\/td>\n    		Eddie Marnay \/ Emil Stern
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa ballade Nord-Irlandaise<\/span><\/td>\nRenaud \/ S\u00e9chan<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa boh\u00eame<\/span><\/td>\nJacques Plante \/ Charles Aznavour<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa carita<\/span><\/td>\nRossini<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa chanson de Dolly Pentraeth<\/span><\/td>\nPJ H\u00e9lias \/ E Daniel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa chanson de Lara<\/span><\/td>\nM Jarre\/Hubert Ithier \/ du film \u00ab\u00a0Le Docteur Jivago\u00a0\u00bb<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa chasse aux papillons<\/span><\/td>\nGeorges Brassens<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa chorale<\/span><\/td>\nJean-Claude Massoulier \/ Andr\u00e9 Popp<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa java de Broadway<\/span><\/td>\nMichel Sardou & Delano\u00eb \/ Revaux<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa langue de chez nous
    \n<\/span><\/td>\n    		Yves Duteil
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa, la, la, je ne l’ose dire<\/span><\/td>\nPierre Certon \/ Renaissance<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa langue de chez nous<\/span><\/td>\nYves Duteil<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa marche des petits oignons
    \n<\/span><\/td>\n    		Joseph Bovet
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa marche des rois<\/span><\/td>\nLully<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa Marseillaise<\/span><\/td>\nJ.C. Rouget de Lisle<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa m\u00eame
    \n<\/span><\/td>\n    		Vianney \/ Gimms
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa mer<\/span><\/td>\nCharles Trenet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa montagne<\/span><\/td>\nJean Ferrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa tendresse<\/span><\/td>\nH. Giraud \/ Bourvil & Marie Lafor\u00ebt<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLa voici, la nuit de Dieu<\/span><\/td>\nHJ Gauntlett \/ Choral anglais<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLamento d\u2019Ariana<\/span><\/td>\nC Monteverdi<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLanguir me fait<\/span><\/td>\nC de Sermisy<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLas estrellas del cielo<\/span><\/td>\nModesta Bor \/ No\u00ebl v\u00e9n\u00e9zu\u00e9lien<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLaschia ch’io pianga<\/span><\/td>\nHaendel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe beau navire<\/span><\/td>\nC Gervaise \/ Branle du Poitou<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe bon vent<\/span><\/td>\ncanon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe caf\u00e9 des trois colombes<\/span><\/td>\nPierre Kartner<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe ch\u00e2taignier<\/span><\/td>\nJean Ferrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe complexe de la truite
    \n<\/span><\/td>\n    		Francis Blanche \/ Franz Schubert
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe concert<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe coq et la pendule<\/span><\/td>\nClaude Nougaro<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe corbeau et le renard<\/span><\/td>\nJean De la Fontaine \/ J Frochot<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe funambule et l’arlequin<\/span><\/td>\nJ. C. Oudot<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe jardin extraordinaire<\/span><\/td>\nCharles Trenet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe lac majeur<\/span><\/td>\nRoda-Gil \/ Mort Shuman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe lion est mort ce soir<\/span><\/td>\nPeretti & all \/ Henri Salvador<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe loup, la biche et le chevalier<\/span><\/td>\nPon\u00a0\/ Henri Salvador<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe moulin<\/span><\/td>\ncanon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe portrait
    \n<\/span><\/td>\n    		Calogero
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe printemps<\/span><\/td>\nR de Lassus<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe sud<\/span><\/td>\nNino Ferrer<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe tango corse<\/span><\/td>\nPirault \/ Vastano \/ Fernandel
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe tango du rat<\/span><\/td>\nF. Olive<\/span><\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLe village d\u00e9truit<\/span><\/td>\nTh\u00e8me populaire russe<\/span><\/td>\n<\/tr>\n
    \"\"<\/a>\"\"<\/a><\/span><\/td>\nLes boh\u00e9miens<\/span><\/td>\nR. Schumann<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes Champs Elys\u00e9es<\/span><\/td>\nP Delano\u00eb \/ Joe Dassin
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes com\u00e9diens<\/span><\/td>\nJ Plante \/ Charles Aznavour<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes copains d’abord<\/span><\/td>\nGeorges Brassens<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes corons<\/span><\/td>\nLang \/ Pierre Bachelet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes couleurs du temps<\/span><\/td>\nGuy B\u00e9art<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes enfants tristes<\/span><\/td>\nAnne Vanderlove<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes feuilles mortes<\/span><\/td>\nJacques Pr\u00e9vert \/ Joseph Kosma<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes march\u00e9s de Provence<\/span><\/td>\nAmade \/ GilbertB\u00e9caud<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes mari\u00e9s de Vend\u00e9e<\/span><\/td>\nDidier Barbelivien<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes murs de poussi\u00e8re
    \n<\/span><\/td>\n    		F. Cabrel<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes nuages de l\u2019orage<\/span><\/td>\n<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes petits caf\u00e9s<\/span><\/td>\nAnne Vanderlove<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLes sabots d\u2019H\u00e9l\u00e8ne<\/span><\/td>\nGeorges Brassens<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nLily<\/span><\/td>\nPierre Perret<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMa France<\/span><\/td>\nJeanFerrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMa libert\u00e9<\/span><\/td>\nGeorges Moustaki<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMagnificat<\/span><\/td>\ncanon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMarche de la paix (we shall overcome)<\/span><\/td>\nGospel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMarche lorraine<\/span><\/td>\n<\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nM\u00e9li-m\u00e9lo<\/span><\/td>\nJoseph Bovet<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nM\u00e9lissa<\/span><\/td>\nD Mac Neil \/ Julien Clerc<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMemory<\/span><\/td>\nTunn & Eliot \/ AL Weber<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMinuit, chr\u00e9tiens<\/span><\/td>\nJ.S. Bach<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMironosicam zenam<\/span><\/td>\nLiturgie orthodoxe serbe<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMon amant de Saint-Jean<\/span><\/td>\nL\u00e9on Agel \/ Emile Carrara<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMoulin rouge<\/span><\/td>\nGeorges Auric<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMozart, Beethoven, Schubert et Rossini<\/span><\/td>\nHenri Tachan<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMozart \u00e0 Lyon<\/span><\/td>\nJ. Allison \/ W.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nMusica<\/span><\/td>\nP. Delano\u00eb & M. Sardou \/ S. Cutugno<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nN’allez pas, Julie<\/span><\/td>\nM. Vidalin \/ J. Datin \/ Marcel Amont
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nNobody knows<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nNo\u00ebl<\/span><\/td>\nPraetorius \/ No\u00ebl classique
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nNo\u00ebl cr\u00e9ole<\/span><\/td>\nP. Gamot \/ No\u00ebl martiniquais
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nO salutaris<\/span><\/td>\n\/ Auber \/ Hymne chr\u00e9tienne
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nOctobre
    \n<\/span><\/td>\n    		F. Cabrel
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nOde \u00e0 la joie (Hymne europ\u00e9en)
    \n<\/span><\/td>\n    		L. Van Beethoven<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nO\u00f9 l\u2019on me verse du bon vin<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPanis angelicus
    \n<\/span><\/td>\n    		C\u00e9sar Franck
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPassant par Paris<\/span><\/td>\nChanson populaire<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPastorale de No\u00ebl (La notte del santo natale)
    \n<\/span><\/td>\n    		Rossini<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPavane<\/span><\/td>\nAnonyme XVI\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPetit concerto du printemps nouveau<\/span><\/td>\nJ. Lafont \/ J. Naty-Boyer<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPiu non si trovano<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPorteuse d\u2019eau<\/span><\/td>\nAnne Sylvestre<\/span><\/td>\n<\/tr>\n
    \u00a0\"\"<\/a><\/span><\/td>\nPotemkine<\/span><\/td>\nGeorges Coulonges \/ Jean Ferrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPrendre un enfant par la main
    \n<\/span><\/td>\n    		Yves Duteil<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPrends le temps<\/span><\/td>\nJ.J. Egli \/ A. Morisod<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPrends ta guitare, Pierre<\/span><\/td>\nD. Bordat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPsaume 103<\/span><\/td>\nLewandowsky \/ Liturgie h\u00e9bra\u00efque<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nPuisque vous nous avez fui<\/span><\/td>\nJ. del Encina \/ Renaissance<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQu\u2019est-ce qu\u2019on attend pour \u00eatre heureux ?<\/span><\/td>\nA; Hornez \/ P. Misraki<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQuand il est mort, le po\u00eate<\/span><\/td>\nL. Amade \/ Gilbert B\u00e9caud<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQuand on n’a que l’amour<\/span><\/td>\nJacques Brel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQuand tout se tait<\/span><\/td>\ncanon<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQuand un soldat<\/span><\/td>\nFrancis Lemarque<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQue serais-je sans toi<\/span><\/td>\nAragon \/ Jean Ferrat<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nQui presso a te Signor<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nRiche
    \n<\/span><\/td>\n    		Nazim \/ Claudio Capeo
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSalade de fruits<\/span><\/td>\nNo\u00ebl Roux\/A. Canfora et No\u00ebl Roux \/ Bourvil<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSanctus (Messe allemande)<\/span><\/td>\nF. Schubert<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSans verser de larmes<\/span><\/td>\nTraditionnel su\u00e9dois<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSantiano<\/span><\/td>\nHugues Aufray<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSarabande<\/span><\/td>\nHaendel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSi mes yeux<\/span><\/td>\nR.G. Cadou \/ E. Daniel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSoleils couchants<\/span><\/td>\nP. Verlaine \/ G. Plettener<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSomebody\u2019s knocking at your door<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSouliko<\/span><\/td>\nTraditionnel de G\u00e9orgie<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSous le ciel de Paris<\/span><\/td>\nDrac \/ Giraud<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSteel away to Jesus<\/span><\/td>\nNegro spiritual<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nStep in time<\/span><\/td>\nSherman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/span><\/td>\nSuivons tour \u00e0 tour<\/span><\/td>\nRenaissance<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nSupercalfragilisticexpialidocius<\/span><\/td>\nSherman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nTebe poem<\/span><\/td>\nBortniansky \/ Liturgie orthodoxe slave<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nThe man I love<\/span><\/td>\nIra Gershwin \/ Georges Gershwin<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nToulouse
    \n<\/span><\/td>\n    		Claude Nougaro
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nTourdion<\/span><\/td>\nAnonyme XVI\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nTout va tr\u00e8s bien, Madame la marquise<\/span><\/td>\nP Misraki<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nToute la pluie tombe sur moi<\/span><\/td>\nDavid & Teze \/ Bacharach \/ Sacha Distel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUltreia et suseia
    \n<\/span><\/td>\n    		Ruben Velasquez
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUn air de banjo<\/span><\/td>\nGoldstein<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUn \u00e9t\u00e9 de porcelaine<\/span><\/td>\nM Lang \/ M Shuman<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUn monsieur attendait<\/span><\/td>\nGeorges Ulmer \/ G. Koger<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUne autre lumi\u00e8re
    \n<\/span><\/td>\n    		Pierre Bachelet
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUne bo\u00eete \u00e0 chansons
    \n<\/span><\/td>\n    		G. Dor
    \n<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nUne \u00eele<\/span><\/td>\nSerge Lama<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nValse \u00e0 mille temps<\/span><\/td>\nJacques Brel<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVa, pensiero (extrait de Nabucco)<\/span><\/td>\nVerdi<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nV\u00e5rvindar friska<\/span><\/td>\nPopulaire su\u00e9dois<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVassilis, l\u2019enfant grec<\/span><\/td>\nM.A. Retif \/ Jo Akepsimas<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVenerabilis barba capucinorum<\/span><\/td>\nW.A. Mozart<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVenez, mes enfants<\/span><\/td>\nNo\u00ebl alsacien<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVergin tutt\u2019 amor<\/span><\/td>\nF. Durante<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVillotta<\/span><\/td>\nP. Azzaiolo \/ XVI\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nViva tutte le vezzose<\/span><\/td>\nF Giardini \/ XVIII\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVive Henri quatre<\/span><\/td>\nAnonyme XVII\u00e8me<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVoici l\u2019hiver bient\u00f4t pass\u00e9<\/span><\/td>\nTraditionnel du Dauphin\u00e9<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nVous me tuez si doucement<\/span><\/td>\nJ.A. de Ba\u00eff \/ J. Mauduit<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nWaldesnacht (OP 62 N\u00b0 3)<\/span><\/td>\nJoannesBrahms<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nWisst ihr, wann mein Kindchen<\/span><\/td>\nJohannes Brahms<\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nWounded I am<\/span><\/td>\nW. Byrd<\/span><\/td>\n<\/tr>\n
    <\/td>\n<\/td>\n<\/td>\n<\/tr>\n
    <\/td>\n<\/td>\nRetour haut de page<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

    Ecouter quelques chants \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 R\u00e9pertoire r\u00e9cent Liste non…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":212,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"simple-restrict-permission":[],"class_list":["post-209","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/pages\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":127,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/pages\/209\/revisions"}],"predecessor-version":[{"id":6913,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/pages\/209\/revisions\/6913"}],"up":[{"embeddable":true,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/pages\/212"}],"wp:attachment":[{"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/media?parent=209"}],"wp:term":[{"taxonomy":"simple-restrict-permission","embeddable":true,"href":"https:\/\/choeurenbalade.eu\/index.php\/wp-json\/wp\/v2\/simple-restrict-permission?post=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}